There's not so much about the classical music world in this article from the Guardian, but keep reading...
"In the classical music world, things are just as uncertain. Outside Britain’s big “portfolio” orchestras, most musicians are precariously employed. One conductor I recently spoke to drew my attention to an awkward fact: that audiences for classical music tend to be older, and will therefore be anxious about any return to past concert-going habits. He also mentioned his work with a choir in Yorkshire that has lost two of its members to Covid-19, and how important collective singing is to so many people’s lives. That simple pleasure, he reminded me, is suddenly reducible to “people in a room where everyone’s breath is repeatedly coming out”.
Of course, to write about this in the midst of an international emergency might seem misplaced. But beyond the superstars, a lot of musicians are actually more vulnerable than people in other professions. To help them, you can buy the odd CD and record from an independent shop by mail order. Have a look at Bandcamp, the platform for independent musicians that supports them to a much greater extent than the services hosted by corporate record companies and big tech firms. The Musicians’ Union is hosting a crowdfunder for members facing hardship, offering emergency payments of up to £200. But all of us should also think about the wider context of this cultural crisis. Amazon’s share price has recently rocketed by a third. Netflix, all of whose offerings feature an ocean of music, is in the middle of a boom. Big tech, which has built so much of its power on downloading and streaming, will emerge from this period comparatively unscathed. Somewhere in those facts there may lie the key to how we keep music and musicians going, and avoid a dreadful silence that would make this crisis even harder to bear." (John Harris)
Blog written by Jill Davies, who runs the Severn Muses project as well as Chamber Music Plus.
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