The festival promises to be a huge celebration of the city’s amazing musical heritage and will take place over an action-packed 48 hours at The Bridgewater Hall.Featuring the Hallé, BBC Philharmonic, Manchester Camerata, Manchester Collective, and a host of other stellar artists, who will come together for a breathtaking weekend of music, food, crafts, and free foyer entertainment, all in and around The Bridgewater Hall.
There will be hour-long concerts throughout the weekend on the main stage featuring dazzling orchestral music from iconic symphonic works to hypnotic minimalist masterpieces.
It promises to be an unmissable event.

https://ilovemanchester.com/manchester-classical-festival

THE GUITING MUSIC FESTIVAL 2023
The 52nd Guiting Music Festival 2023, which takes place from Friday July 21st to Sunday July 30th, brings a host of top names from the classical, jazz and blues world to this delightful and picturesque village set high in the Cotswolds hills. Whether you are a newcomer to  the festival, or a regular, there is something for everyone to enjoy at this ‘secret gem of a festival’.

The festival is held in a large 250-seater marquee, erected on the playing field next to the village hall, overlooking the beautiful and stunning countryside around popular Guiting Power.  The festival is delighted to launch its programme on Friday July 21st with the award-winning jazz vocalist and one of the UK’s most celebrated and much-loved singers Clare Teal and her marvellous band. Clare’s show celebrates the hits and hidden gems of the Great American and British Songbooks, plus contemporary covers and originals.

Saturday July 22nd welcomes back the extraordinary, talented guitarist Antonio Forcione and his popular and unmissable music quartet. From Forcione’s guitar to the cello, bass and percussion backing, this show is both a masterclass in musicianship and a breath-taking live experience. 

The ever popular Sunday Jazz Open Air concert on July 23rd features the powerhouse legendary New Jersey-born singer, Madeline Bell, who is performing at the festival, alongside the BBC and Parliamentary award-winning singer, pianist Ian Shaw. Madeline was the
voice of Blue Mink (‘Melting Pot’, ‘Good Morning Freedom’) and one of the world’s most-heard session singers (Joe Cocker, Elton John, Led Zeppelin, Stevie Wonder, Donna Summer) Their show entitled ‘Bacharach, Dusty and Me’ promises to be a real showstopper
The support act is the exceptional saxophonist Alex Bone and his brilliant Trio.

Monday July 24th offers a rare chance to witness a thrilling global collaboration between one of the world’s leading harp players, Welsh born Catrin Finch, and the six-piece Grammy-nominated Colombian band Cimarrón. Fast paced and powerful, their music combines impetuous singing, amazing stomp dancing and fierce instrumental virtuosity of strings and percussion. An evening not to be missed.

Multiple award-winning Violinist Mathilde Milwidsky and pianist Petr Limonov start the festivals’ classical programme on Tuesday
July 25th with music by Schubert, Debussy, Mozart and Ravel.  Considered to be one of the finest, young, classical, international pianist
Anna Tsybuleva performs on Wednesday July 26th and has been described as a pianist with ‘rare gifts.’ She will be performing music by
Chopin, Beethoven and Debussy

Thursday July 27th sees the return of conductor Tom Fetherstonhaugh with the 10-piece string Fantasia Orchestra performing amongst other concerto’s the very popular Beethoven piano concerto No 4. The orchestra’s thrilling and varied concerts showcase classical and
contemporary music-making of the highest level. Also performing with the Orchestra, is one of Britain’s most treasured pianist Steven Osborne

The Guiting Music Festival is proud to host on Friday July 28 a musical force of nature Jess Gillam, who has been forging her own adventurous path since she shot to fame becoming the first saxophonist to reach the finals of BBC Young Musician and the youngest ever soloist to perform at the Last Night of the Proms. Hailing from Ulverston in Cumbria, Jess Gillam brings classical music to new audiences through both her world class live performances and her work on television and radio. Her show will include music by Telemann, Bach, Barbara Thompson, David Bowie and more.

On Saturday July 29th the Belgian clarinettist, Annelien Van Wauwe, with the Van Kuijk String Quartet graces the festival stage. Annelien
is forging a reputation as one of the most exciting and original clarinettists of her generation, captivating audiences with her expressive,
intense and lyrical performances. With the quartet, she will be performing music by Ravel, Mendelssohn, Glazunov and Mozart

The Guiting Music Festival on Sunday July 30th is proud to welcome the veteran blues performer, broadcaster and erstwhile pop star and lead singer of Manfred Mann, Paul Jones with the legendary guitarist John Etheridge and his band, for a Sunday afternoon of pure blues Music.  Supported by the very talented 6-piece Chris Corcoran Band, the Open-Air Blues Day is always popular and this year we expect a very big crowd. The Sunday shows are a family affair, children, dogs and picnics are welcome!
Not only does the festival offer the best music, there is also a selection of local seasonal food on offer as well as fine wines, beers and soft drinks at all the shows. Great music, delicious food and in the loveliest of surroundings – a perfect music festival!

10 days of great live music in the heart of the Cotswolds
GUITING MUSIC FESTIVAL LINE UP 2023
July 21 The Clare Teal Four
July 22 Antonio Forcione Quartet
July 23 Alex Bone (12.30pm – 2pm)
Madeline Bell & Ian Shaw (2.30pm – 4pm)
July 24 Catrin Finch & Cimarron
July 25 Mathilde Milwidsky & Petr Limonov
July 26 Anna Tsybuleva
July 27 Steven Osborne & Fantasia Orchestra
July 28 Jess Gillam
July 29 Annelien van Wauwe & Van Kuijk Quartet
July 31 The Chris Corcoran Band (12.30pm – 2pm)
Paul Jones & John Etheridge Band (2.30pm-4pm)
Show times: Monday – Saturday 6.30pm. Sunday from 12.30pm
Ticket prices: All shows £28.00.
Venue: Guiting Music Festival, Guiting Power, Glos GL54 5TX
10 miles West of Stow on the Wold and 4 miles SE of Winchcombe.

Tickets & information: www.guitingfestival.org

 
Peter Donohoe CBE & Martin Roscoe
Wednesday 12th July 2023, 7.30pm
The Croston Theatre, Westholme School, Blackburn, BB2 6QU
 
Mozart                             Sonata in D major for 2 pianos, K. 448
Saint-Saëns                      Variations on a theme of Beethoven, Op.35
Debussy                           En blanc et noir
Rachmaninov                  Suite No.2 for Two Pianos, Op. 17
 
It is a delight to open the 2023 Ribble Valley International Piano Week with return of Peter Donohoe, joined by Martin Roscoe in a nowadays rare evening of music for two pianos. The duo will begin their programme with Mozart’s Sonata in D major, K. 448 which is an example of Mozart at his most galant.  Within the framework of its finely crafted classical structure is music of pure joy – graceful, songful, elegant, and virtuosic. Not surprisingly, he made a masterwork his first (and only) time working in the form!


Saint-Saëns’ output of solo piano music spanned almost 70 years, mainly salon pieces such as waltzes and caprices; he never wrote a piano sonata. His Variations on a Theme of Beethoven uses the minuet from the Piano Sonata in E flat Op.31, known as the ‘Hunt’.  It was first performed at a concert of the Société Nationale de Musique, which Saint-Saëns had helped to found in the aftermath of the Franco-Prussian War, with the aim of promoting contemporary French music.

Debussy wrote only two of his own works for two pianos: Lindaraja is considered a warm-up to his masterpiece in this form, En blanc et noir (In black and white).  Debussy commented on the work that the movements "derive their color and feeling merely from the sonority of the piano,” insisting the work was not a comment on the first World War, but since virtually all of his correspondence from this period indicates a near obsession with the subject, it's hard to image the music is just about the piano. We hear distant bugle calls, quiet military drum rhythms, long spaces of silence, quotes from the Lutheran chorale Ein feste Burg (A mighty fortress) before the final movement delves into the rich possibilities of the piano with a black-and-white purity of musical expression.
Along with the famous Piano Concert No.2, Op.18, Rachmaninoff’s Suite No.2 for two pianos marked the return recovery of the composer’s musical activities following a three year silence caused by the  public failure of his Symphony No.1. Whether the story of Rachmaninoff’s romance of his psychiatrist’s daughter is true or not, there is plenty of passion and tenderness to be found in the Suite, not least as the third movement that is titled ‘Romance’. One of the most popular works in piano duo repertoire, it is a truly exhilarating piece of music that will undoubtedly leave with you blown away.
Tickets: £20 or £16 concessions for the unemployed, disabled people and their essential companions
 
 
Victor Lim
Thursday 13th July 2023, 12 noon
The Croston Theatre, Westholme School, Blackburn, BB2 6QU
 
Haydn                              Piano Sonata in C, Hob.XVI/50
Grieg                                From Holberg’s Time, Op.40
Rachmaninov                  Piano Sonata No.2 in B flat minor, Op.36 (revised version)
 
A RVIPW committee member and Head of Keyboard at Rossall School, South Korean pianist Victor Lim performs a programme of some of the most popular music in classical music.
 
Haydn’s joyful Piano Sonata in C Hob.XVI/50 is perhaps one of the greatest examples of humour in music. From the very first bar to the last, the Sonata constantly plays around with expectations and surprises that can only bring smiles to its listener.
Grieg’s From Holberg’s Time, more widely known as Holberg Suite, was written in celebration of the 200th anniversary of Ludvig Holberg (1684-1754), a Dano-Norwegian playwright best known for his comedies. In homage of the playwright, Grieg takes Baroque dances from Holberg’s era and infuses rich harmonies, poetic melodies as well as humour. Contrary to general belief, the Suite was originally written for the piano but one year later the composer arranged it in its now more famous version of string orchestra.
Following Grieg’s celebration of Holberg, Victor will celebrate Rachmaninoff’s 150th anniversary of birth with the colossus Piano Sonata No.2. Started in Italy and finished in Russia, the Sonata No.2 is not only a technical tour-de force but contains the most magical fantasies, lush harmonies, and exquisite melodies.
Tickets: £13 or £9 concessions for the unemployed, disabled people and their essential companions
 
 
Tyler Hay
Thursday 13th July 2023, 7.30pm
The Croston Theatre, Westholme School, Blackburn, BB2 6QU
 
Beethoven                       Sonata No. 14 in C sharp minor, Op. 27, No. 2 "Moonlight"
Mendelssohn                  A selection of 10 Songs Without Words
Mussorgsky                     Pictures At An Exhibition
 
It’s a joy to be able to welcome Tyler back to RVIPW for a third time with a programme filled with imagery.  Beethoven’s hugely popular ‘Moonlight’ Sonata will begin the evening, followed by a selection of Mendelssohn's most beloved piano works, the Songs without Words. These miniatures, which Mendelssohn composed throughout his life, contain some of his most beautifully crafted and heartfelt writing, serving as a very personal musical diary in which the composer expressed very precisely musical ideas that had, he alleged, no verbal equivalent. It was left to later publishers to suggest titles for the pieces, a procedure that Mendelssohn himself did not like.
 
Mussorgsky’s Pictures at an Exhibition is a vivid representation in music of ten paintings by Mussorgsky’s good friend Viktor Hartmann.  – the exhibition in question was organised after the artist’s untimely death.  They say a picture is worth a thousand words, but music can paint a thousand pictures. A hut on hen’s legs, an angry gnome, and a ceremonial city bell: Pictures at an Exhibition is a musical kaleidoscope overflowing with fantastic colours.
Tickets: £20 or £16 concessions for the unemployed, disabled people and their essential companions
 
 
William Bracken
Friday 14th July, 12 noon
The Croston Theatre, Westholme School, Blackburn, BB2 6QU
 
J. S. Bach                          Toccata in C minor, BWV 911
Fanny Mendelssohn       Easter Sonata in A major
Messiaen                         Le Baiser de L’Enfant -Jésus (Vingt Regards de L’Enfant- Jésus)
Liszt                                  Après une lecture du Dante (Années de pèlerinage: deuxième année; Italie, S.161)
 
Will’s recital opens with Bach’s monumental Toccata in C minor featuring one of his longest fugues.  The work is an epic journey through textures and emotions.
Fanny Mendelssohn Hensel’s bold and complex Easter Sonata, depicting the Passion of Christ, was composed in 1828, but was lost for 150 years and then attributed to her brother, Felix. Now widely regarded as a masterpiece, the work was finally presented under the name of its true author, on International Women's Day 2017.
Olivier Messiaen’s monumental and profound work Vingt Regards sur l’enfant Jésus (Twenty Gazes on the Infant Jesus) is one of the most extraordinary and ground-breaking works in twentieth-century piano repertoire.  The individual movements, with their special titles and Messiaen’s own short, poetic explanations, are like staging posts in the great theological story; musical “stations of the cross” perhaps.  Its best-known movement, Le baiser de l’Enfant-Jésus (The Kiss of the Infant Jesus), is stunningly beautiful and lyrical.  To quote Messiaen’s own commentary on the movement:  “At each Communion, the Infant Jesus sleeps with us, close to the gate; then he opens it onto the garden and comes forth in a blaze of light to embrace us…”
 
The programme concludes with a work, colloquially referred to by pianists as the Dante Sonata.  Liszt, while under the spell of Dante’s “Divine Comedy”, began work on a “fragment dantesque” which he later incorporated, in revised form, into the volume Italy of his Années de Pèlerinage. The single-movement sonata is based on the Canto “Inferno” in Dante’s poem. It describes the wild ride of the soul into hell in an effective manner, finally closing with several forgiving chords in a kind of transfiguration – one of the best examples of Liszt’s technical ingenuity and sound artistry.
 
Tickets: £13 or £9 concessions for the unemployed, disabled people and their essential companions
 
 
Martin Roscoe
Friday 14th July 2023, 7.30pm
The Croston Theatre, Westholme School, Blackburn, BB2 6QU
 
Beethoven                       32 Variations in C minor, WoO 80
Mendelssohn                  Prelude and Fugue in D major, Op. 35/2
Franck                              Prelude, Chorale and Fugue
J. S. Bach                          Goldberg Variations
 
Come and hear the Artistic Director of Ribble Valley International Piano Week, Martin Roscoe, for an evening of pianist masterpieces.  Beethoven’s substantial 32 Variations on an Original Theme in C minor, whose eight-measure theme based on a descending chromatic bass sets off a whirlwind of uninterrupted variations, begin proceedings, followed by Mendelssohn's Prelude No.2 in D major, marked Allegretto, coupled with a fugue, marked Tranquillo e sempre legato, the one a foil to the other.  The first half the of the evening will draw to a close with Franck's stunning masterpiece for solo piano, the Prelude, Chorale and Fugue.
Delayed from the planned performance in our 2022 Festival, the second half of the programme is Bach’s monumental Goldberg Variations, a gigantic set of 30 variations on the opening ‘Aria’. Whilst it is widely believed that Bach composed the Goldberg Variations to help Count Goldberg with his insomnia, this 1-hour long masterpiece is filled with exciting virtuosity, complex polyphony, alongside moments of transcendental beauty and darkness.
 
Tickets: £20 or £16 concessions for the unemployed, disabled people and their essential companions
 
             
Rose McLachlan
15th July 2023, 12 noon
The Croston Theatre, Westholme School, Blackburn, BB2 6QU
 
ALBÉNIZ             Iberia, Book 1
SCRIABIN            Sonata No. 2 in G sharp minor, “Sonata-Fantaisie”
RAVEL                 Le Tombeau de Couperin
 
Winner of the RNCM Chopin Prize, Kirklees Young Musician Award and Christopher Duke International Piano Competition, Rose McLachlan is one of the most exciting talents in the UK. Rose brings to RVIPW three virtuosic masterpieces of the 20th century, starting with with the first book of Albéniz’s Iberia which took inspirations from music and places from the composer’s native country of Spain. Rose will then take us to the Black Sea in the Atlantic, which inspired Scriabin to write his Piano Sonata No.2. Scriabin described the first movement of the Sonata as ‘the cam of a night by the seashore in the South’ an the second as ‘the stormy agitation of the vast expanse of ocean’.
 
Ravel dedicated each movement from ‘Le Tombeau de Couperin’ to close friends who had been killed in World War I. As its title suggests, the work alludes back to the music of the French composer Couperin as well as different dances from the Baroque period. Once cannot help but to feel the feeling nostalgia throughout the work, amidst its virtuosic energy and complexity, with Ravel dedicating the music to great French people of the past.
 
Tickets: £13 or £9 concessions for the unemployed, disabled people and their essential companions
 
 
Paul Lewis CBE
Saturday 15th July 2023, 7.30pm
The Croston Theatre, Westholme School, Blackburn, BB2 6QU
 
Schubert                          Piano Sonata No. 13 in A Major, D. 664
Schubert                          Piano Sonata No. 14 in A minor, D.7 84
Schubert                          Piano Sonata No. 17 in D Major, D. 850
 
“One of the great Schubertians of our time” Gramophone Magazine
Indulge in the dream combination of world-renowned Paul Lewis playing some of the most passionate and romantic works for piano ever written.
The multi-award winning pianist has regularly devoted himself to in-depth explorations of a particular composer’s output, with notable successes surveying aspects of the creativity of Beethoven, Brahms and Haydn.  In 2022, 20 years after his last Schubert series, Paul Lewis released his new CD of Schubert Piano Sonatas, including Sonata D. 664 with which he opens this programme.
The ‘little’ A major D664 is probably one of Schuberts best-known sonatas with a genial and song-like nature. The haunting Sonata No.14 is one of his pivotal sonatas, written around the time he got his syphilis diagnosis where, in the wake of that death sentence, everything became bleak. Our evening draws to a close with the imperious Sonata no. 17, composed on a journey away from Vienna where Schubert drew inspiration from the spectacular scenery of craggy peaks, green valleys, and mountain lakes.
Tickets: £20 or £16 concessions for the unemployed, disabled people and their essential companions
 
 
How to book:
By post: (cheques payable to 'RVIPW' Roger Darling, Hillside House, Bluestone Lane, Mawdesley, L40 2RJ.
By phone: 07810 504701 | Online at: www.rvipw.org.uk | On the door

There are many wonderful collaborations happening at the moment, celebrating the 400th anniversary of the great English renaissance composer William Byrd.  You'll find some events listed at the Byrd Central website

BBC Radio 3’s Manchester Week celebrates music-making in Manchester, with performances by BBC Philharmonic, the Hallé and Sir Mark Elder, Jean-Efflam Bavouzet, Chloë Hanslip, and Manchester Collective amongst others.
Following the cancellation of the January 2021 Manchester Week due to COVID-19, BBC Radio 3 announces new plans for a week of live and pre-recorded concerts from the English city, featuring performances from some of the city’s best-known concert halls and venues: Bridgewater Hall, The Stoller Hall at Chetham’s School of Music, Salford’s The White Hotel and Media City, home of the BBC Philharmonic.
Highlighting BBC Radio 3’s continued commitment to connecting listeners and performers with broadcasts of music-making as it happens all over the UK, the Manchester Week celebrates the city’s ensembles, musicians, and composers, with appearances by established and up-and-coming artists, presenting well-known as well as experimental repertoire, including music based around the theme of sound and nature.
A series of five Radio 3 in Concert programmes showcase the wide variety of the city’s performing groups in all sizes and combinations, alongside four Lunchtime Concerts live from The Stoller Hall, based alongside Chetham’s School of Music. Introduced by Elizabeth Alker, these recitals feature the emerging talents of some of the current and former BBC Radio 3 New Generation Artists: pianist Pavel Kolesnikov; tenor Alessandro Fisher and pianist Kunal Lahiry; the Consone Quartet; and the Mithras Trio.

The week kicks off on Monday 24 January with a special pre-recorded edition of BBC Radio 3 in Concert, presented by Tom McKinney. Manchester Camerata, who are celebrating their 50th birthday this year, present an all-Mozart programme as recorded at The Stoller Hall, including Piano Concerto No 9 in E-flat major K. 271 “Jeunehomme” directed by Jean-Efflam Bavouzet and Sinfonia Concertante in E-flat major K. 364 with soloists Alexander Sitkovetsky and Timothy Ridout.

Fran Healey, General Manager of The Stoller Hall, says: “Manchester’s music scene is legendary, but with so many emerging artists and with incredible venues to host them, classical music in Manchester has never been more vibrant. Here at The Stoller Hall we couldn’t be more excited to welcome BBC Radio 3 into our very special concert hall, sharing the city’s music with the nation and the world.”

Read more at https://aboutmanchester.co.uk/bbc-radio-3s-manchester-week-celebrates-music-making-in-manchester/
and https://stollerhall.com/festivals/bbc-radio-3-manchester-week/

●     Ex Cathedra among 925 recipients to benefit from the latest round of awards from the Culture Recovery Fund
 
●     This award safeguards concert programme and work for freelance musicians despite box office shortfalls whilst audience confidence returns
 
More than £100 million has been awarded to hundreds of cultural organisations across the country including Ex Cathedra in the latest round of support from the Culture Recovery Fund, the Culture Secretary announced today.
 
Birmingham-based Ex Cathedra has been awarded a grant of £56,944.
 
Ex Cathedra is a leading UK choir and Early Music ensemble. Since artistic director Jeffrey Skidmore founded the group in 1969, it has developed a world-wide reputation for its dynamic performances underpinned by scholarly research, combined with a desire to seek the finest, the unfamiliar and the unexpected in the choral repertoire. This funding will safeguard Ex Cathedra’s planned concert programme over the winter, providing vital work for its freelance musicians despite ongoing uncertainties and deflated box office income.
 
Concerts now secured include the world-premiere of Liz Dilnot Johnson’s major work I Stand at the Door – a love song to our planet that addresses the climate emergency, and 12 performances of the choir’s much-loved Christmas Music by Candlelight concerts across the Midlands – featuring no fewer than 5 new works and 12 living composers amongst an eclectic mix that ranges from a little-known Black Brazilian composer born in 1767 to texts from the 4th-century BCE Dhammapada.
 
The third round of funding will support organisations from all corners of the sector as they deal with ongoing reopening challenges, ensuring they can thrive in better times ahead.
 
Culture Secretary Nadine Dorries said:

“Culture is for everyone and should therefore be accessible to everyone, no matter who they are and where they’re from.
“Through unprecedented government financial support, the Culture Recovery Fund is supporting arts and cultural organisations so they can continue to bring culture to communities the length and breadth of the country, supporting jobs, boosting local economies and inspiring people.”
 
Over £1.2 billion has already been awarded from the unprecedented Culture Recovery Fund, supporting around 5000 individual organisations and sites across the country ranging from local museums to West End theatres, grassroots music venues to festivals, and organisations in the cultural and heritage supply-chains.
 
Peter Trethewey, General Manager, Ex Cathedra said:
 
“We are extremely grateful for this support. Without it, the work done to navigate the first 18 months of the pandemic would have been severely jeopardised and the viability of Ex Cathedra thrown into grave doubt. We can now deliver our programme with confidence, provide much-needed work for our freelance musicians, and welcome audiences to celebrate Christmas with world-class performances of choral music.
 
Darren Henley, Chief Executive, Arts Council England, said:
 
“This continued investment from the Government on an unprecedented scale means our theatres, galleries, music venues, museums and arts centres can carry on playing their part in bringing visitors back to our high streets, helping to drive economic growth, boosting community pride and promoting good health. It’s a massive vote of confidence in the role our cultural organisations play in helping us all to lead happier lives”.
 

‘RVW 150’

During 2022-23 the music industry will celebrate the 150th birthday of British composer, Ralph Vaughan Williams (1872 – 1958).

Hardly a music genre has been left untouched or failed to be enriched by Vaughan Williams’s work, which includes nine symphonies, five operas, music for film, ballet and stage, several song cycles, church music and works for chorus and orchestra.

Comprehensive information about the composer’s life and works as well as help for promoters can be found at:
www.rvwsociety.com/rvw150
 

First-ever global online vocal festival announced: singing returns
 
'Live from London' is a new, paid-for online festival from the VOCES8 Foundation, featuring some of the world's finest vocal ensembles including VOCES8, I Fagiolini, Stile Antico, The Swingles, The Sixteen, Chanticleer and more
 

• The festival will be broadcast every Saturday for ten weeks from the 1st August 2020
• It has been designed to raise money for artists, venues and promoters to cover their COVID-19 losses, and to reunite the world's many singers, and audiences with much needed live concerts
• Broadcast in HD from the beautiful VOCES8 Centre (St Anne and St Agnes Church), in the heart of the City of London, viewers will be able to pay for exclusive access to season or individual concert tickets
• Award-winning artists featured include VOCES8, I Fagiolini, Stile Antico, The Swingles, The Sixteen (from Kings Place), The Gesualdo Six, Apollo5, Chanticleer (from San Francisco) and a special guest appearance by The Academy of Ancient Music
• The ensembles will be performing their favourite works, and pieces for which they've become renowned, singing repertoire from the Renaissance to contemporary A Cappella
• The festival is a heart-warming display of vocal ensembles helping each other in a time of crisis. These concerts will be some of the first performances by the ensembles since the start of the lock-down restrictions at the beginning of the year
• A portion of all ticket sales will be put towards funding for grassroots music education, and to addressing topics of diversity, equity, inclusion, and accessibility in choral music
• Season passes are £80 (£8 per concert, per household). Single concert tickets will be available for £12.50. Concessions have been crafted for students and choirs across the world, as well as special deals for promoters and venues
• Artists will share income from season ticket sales, as well as individual concert income.

This approach goes beyond free streaming on social media, allowing a revenue channel for promoters, venues and artists (most of whom are freelance).

• Taking the lead from current sporting events, the concerts will be broadcast from a closed venue. Singers and crew will be following the strict government guidelines about safety and distancing in the workplace
• The VOCES8 team continues to lead the charge in its forward-thinking, inclusive initiatives in the choral sector. ‘Live from London’ follows the online work the VOCES8 Foundation has been doing over lock-down with its #liveathome series - more than 100 broadcasts of online performances, participation events and interactive sessions. Its reach highlighting the hunger for vocal music around the world
• VOCES8's 15th Anniversary is celebrated by the release of their new album 'After Silence' on the 24th July
• Continuing its founding principles of education, inclusivity and singing for all, The VOCES8 Foundation is launching a Digital Academy to go live this September. An online choral academy consisting of a wide array of world class, easy to use content, modules, live performances and live interaction with VOCES8 and members of the VOCES8 Foundation team
• More information, a trailer and tickets can be found at: voces8.foundation/livefromlondon
  

 
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“The five step roadmap given to us last week”, Stephen Maddock tells me, “could have been written by any of us on the back of a fag packet in March. It gave no details, no timescale and no cash.” The Chief Executive of the City of Birmingham Symphony Orchestra is by no means universally critical of the authorities, praising Darren Henley at the Arts Council and saying that “the Chancellor has played a blinder in the last six months”. But his patience is beginning to run thin as he plans half a dozen different scenarios for the CBSO’s future in the next six months. It’s not just that there’s a vacuum of information: “because that implies a degree of neutrality. It’s like a sort of Pullman-esque parallel universe”.Live performance is in mortal peril. Now is the time to shout.
Read more from David Karlin at Bachtrack here

24 - 26 July 2020
"This year the Corbridge Chamber Music Festival will be streamed in real time on the Corbridge Chamber Music Festival YouTube channel. Recordings made especially for the festival, in our own homes, will be brought to you online, to enjoy in the safety and comfort of your own.

There is no charge to access these concerts but we would be hugely grateful for donations to contribute towards the cost of producing this event and to ensure a secure future for our festival."

Artistic Directors:
Gould Piano Trio
Robert Plane, clarinet
with guests
Elias String Quartet
Heidi Rolfe, piano
Florence Plane, bassoon
Kate Gould, cello
David Stark, double bass
Piers Hellawell, composer-in-residence
Kenji Wilkie, dancer
Sinéad Morrissey, poet